Browse Title Index


 
Issue Title
 
Vol 4, No 8 (2015): Archive-Based Productions 'Goodwill Ambassador': the Legacy of Dutch Colonial Films Abstract   PDF   HTML
Gerda Jansen Hendriks
 
Vol 4, No 8 (2015): Archive-Based Productions 'Plundering' the Archive and the Recurring Joys of Television Abstract   PDF   HTML
Lisa Kerrigan
 
Vol 6, No 11 (2017): History of Private and Commercial Television in Europe A Slippery Slope: The Rise and Fall of the Domestic Soap Opera in Italian Public and Commercial Television Abstract   HTML   PDF
Daniela Cardini
 
Vol 5, No 10 (2016): Non-fiction Transmedia A Transmedia Topology of 'Making a Murderer' Abstract   PDF   HTML
Alan Hook, Danielle Barrios-O'Neill, Jolene Mairs Dyer
 
Vol 4, No 7 (2015): Archaeologies of Tele-Visions and -Realities Adapt Simulation: 16mm Film Editing for Television Abstract   PDF   HTML
Amanda Murphy, Vanessa Jackson, Rowan Aust, John Ellis
 
Vol 5, No 9 (2016): TV Formats and Format Research: Theory, methodology, history and new developments Aesthetic Proximity: the Role of Stylistic Programme Elements in Format Localisation Abstract   PDF   HTML
Jolien van Keulen
 
Vol 5, No 10 (2016): Non-fiction Transmedia Aligning Participation with Authorship: Independent Transmedia Documentary Production in Norway Abstract   PDF   HTML
Joakim Karlsen
 
Vol 2, No 4 (2013): Hidden Professions of Television An Unknown, but Key Player in the Television Market: The Television Retailer and the Case of Black and White TV Sets in France (1950-1987) Abstract   HTML   PDF
Isabelle Gaillard
 
Vol 4, No 8 (2015): Archive-Based Productions Archive Footage in New Programmes: Presentational Issues and Perspectives Abstract   PDF   HTML
Steve George Bryant
 
Vol 3, No 6 (2014): Convergent Television(s) ARTE: French-German Experiments in Crossing the Borders. 'One Media – Three Screens' Convergence and Interactivity at its Full Potential? Abstract   PDF   HTML
Anna Wiehl
 
Vol 4, No 8 (2015): Archive-Based Productions Authorship, Autobiography and the Archive: Marilyn on Marilyn, Television and Documentary Theory Abstract   PDF   HTML
Paul Kerr
 
Vol 7, No 13 (2018): The Many Lives of Europe’s Audiovisual Heritage Because His Bike Stood There: Visual Documents, Visible Evidence and the Discourse of Documentary Abstract   PDF   HTML
Frank Kessler
 
Vol 2, No 4 (2013): Hidden Professions of Television Behind the Scenes: Costume Design for Television Abstract   HTML   PDF
Gamze Toylan
 
Vol 1, No 1 (2012): Making Sense of Digital Sources Building Platforms For Historians: Making Data Findable. A Critical Reflection On Some German Initiatives Abstract   PDF
Lilian Landes
 
Vol 6, No 11 (2017): History of Private and Commercial Television in Europe Canal + Spain & Live Football Broadcasts: A Whole Different Game Abstract   HTML   PDF
Vicente Rodríguez Ortega, Rubén Romero Santos
 
Vol 2, No 3 (2013): European Television Memories Chronology and Ideology. Temporal Structuring in Israeli Historical Documentary Series Abstract   HTML   PDF
Bosmat Garami
 
Vol 3, No 5 (2014): Television Histories in (Post)Socialist Europe Comparing Socialist and Post-Socialist Television Culture. Fifty Years of Television in Croatia Abstract   HTML   PDF
Zrinjka Peruško, Antonija Čuvalo
 
Vol 4, No 8 (2015): Archive-Based Productions Compiling European Immigration History: the Case of Land of Promise Abstract   PDF   HTML
Andrea Meuzelaar
 
Vol 1, No 2 (2012): Europe on and Behind the Screens Comunicar Europa / Communicating Europe. Spain, Television Co-productions And The Case Of Pepe Carvalho Abstract   PDF   HTML
Manuel Palacio, Concepción Cascajosa
 
Vol 3, No 5 (2014): Television Histories in (Post)Socialist Europe Connected Enemies? Programming Transfer between East and West During the Cold War and the Example of East German Television Abstract   HTML   PDF
Thomas Beutelschmidt, Richard Oehmig
 
Vol 3, No 6 (2014): Convergent Television(s) Convergent Cultures: The Disappearance of Commissioned Audiovisual Productions in The Netherlands Abstract   PDF   HTML
Bas Agterberg
 
Vol 3, No 6 (2014): Convergent Television(s) Convergent Television and 'Audience Participation': The Early Days of Interactive Digital Television in the UK Abstract   PDF   HTML
Vivi Theodoropoulou
 
Vol 5, No 9 (2016): TV Formats and Format Research: Theory, methodology, history and new developments Critically Acclaimed and Cancelled: FX's The Bridge, Channel as Brand and the Adaptation of Scripted TV Formats Abstract   PDF   HTML
Michael L. Wayne
 
Vol 7, No 13 (2018): The Many Lives of Europe’s Audiovisual Heritage Crossing the Theory-Practice Divide: a Multi-Perspective Reflection on a Practical Course for Film and Television Students Abstract   PDF   HTML
Willemien Sanders, Daniel Everts, Bonnie Van Vugt
 
Vol 5, No 10 (2016): Non-fiction Transmedia Crossroads. Life Changing Stories from the Second World War: A (Transmedia) Storytelling Approach to World War II Heritage Abstract   PDF   HTML
Licia Calvi, Moniek Hover
 
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ISSN: 2213-0969